These were an auction lot, which is why I’m showing them together. The first two are 1/9th plates, and the second two, 1/6th plates. Nothing particularly out of the ordinary or earthshaking here, but nonetheless, a very interesting grab-bag of stuff that fills some holes in my collection.
The first image here, of the old lady, is a ruby-glass ambrotype. I apologize for all the dust, but when I removed the packet from the case, I discovered that the paper seals were complete and intact, so I did not want to break them just to remove a little dust. What’s interesting about this is the mat – it appears to be painted paper, rather than stamped brass or gilded copper. It’s the first of this kind I’ve seen.
This little tintype, image-wise, is nothing at all special. I do like her dress though – you can see she had fishnet lace shoulders. What’s interesting about this one (and it’s hard to tell from the scan of the package) is that the mat and preserver are extremely clean, bright and shiny as if they were put on yesterday. I’ve not seen such before. I’m confident that they are not modern reproductions recently applied.
A nice, generic tintype of a middle-aged man.
This was another unusual item. I know it was done, but infrequently – this is not an ambrotype or tintype or daguerreotype, but rather what I believe is a salt print (the reason I don’t think albumen is that the surface is extremely matte, and it is relatively low-resolution – albumens are typically much glossier and have pretty high resolution). If it is indeed a salt print, it is one of the first in my collection. I wonder if this is not a copy of a daguerreotype or ambrotype:
- The outfits, especially his necktie, seem to be from the 1840s/50s
- I have not seen many paper images in small plate sizes like this – this is a 1/6th plate
- The low resolution could also be a symptom of being a third-generation copy (original plate, paper copy negative, paper print)
Also interesting to see is the gilding of her jewelry – the rouging of the cheeks is not at all surprising, but the gilding of a paper image is not something I’ve run across before. This one, also a 1/6 plate